Tag Archives: national gugak center

Gangnam ‘Trial’, Major Award Announcement: JUNE 2013 NEWSLETTER

NGC pic 5

June 13, 2013

Dear Friends,

As I write I am preparing to embark on a two-and-a-half-week whirlwind ‘tour’ of sorts. First, tomorrow I fly to South Korea to attend two intense weeks of the International Gugak Workshop at the National Gugak Center (pictured above) in Seoul. (My hotel is in Seoul’s now-famous Gangnam district, hence the crude pun attempt in my title). As I blogged, fifteen foreigners were selected to come and learn Korean traditional music, sponsored by that government. Our group being composers and ethnomusicologists, mostly college professors, the program is intended for us to proliferate this music back in our various home countries through our professional work. It’s an example of the so-called Korean Wave phenomenon of cultural influence that that government wisely embraces.
At the IGW my daily schedule will include lectures on the theory and history of gugak (Korean traditional music), as well as training in various traditional instruments, with an emphasis on janggu (two-sided drum) and kayageum (12-string zither). Activities stretch into the evenings with concerts and other functions. I can’t promise, but I will attempt to blog about this experience in my News feed (http://fairbanksmusic.com/news/) as often as possible.
NGC logoIn the few moments I will attempt to carve out time away from the busy workshop, I’ve made plans to see a few colleagues in town, and my sister-in-law with her family. I also hope to catch a concert or two in town, and certainly to visit the famous Insadong district to browse traditional instrument shops and pick up piri reeds. Chances there are often that the shop owner may happen to be a master musician, or even an “Intangible Cultural Asset #[x]”, in a system where the government literally ranks (tangibly) elite artists according to their cultural value. Sure, it goes a bit far, but it does hint at the high value that this fascinating society places on the arts!

janggu

Skyline of Seoul, South Korea

 

 

 

 

 

isim logoThings won’t slow down after the workshop. Through the magic of overseas travel, on my return to NYC I will gain back the day I will have ‘lost’ during my flight to Asia. Since I will land in Queens at essentially the same time I took off from Incheon (I love that), I can still attend the conference of the International Society for Improvising Musicians that starts, well, before I return. Though it’s not wise for me to pack these two events one after another, these are two things that I simply had to say ‘Yes’ to. Not only is the ISIM conference theme “Cross-cultural improvisation” (already jumping out at me), but three of the leaders happen to be players of Korean instruments, and they include a renowned piri and taepyeongso artist – one I’ve been hoping to get a chance to study from (can’t say ‘No’).

 

IMA-Winner-Logo2INDEPENDENT MUSIC AWARD!
In a last-minute announcement, I just learned this week that I was chosen for the 2013 Independent Music Award in the Best Jazz Song category!  Here’s my initial post about it.  The panel of Jazz judges included McCoy Tyner, Arturo Sandoval, John Medeski, and Chris Wood.  As detailed also in the link, you can still cast your vote for me via the separate, fan-determined-winner competition, called Vox Pop. See the official announcement here.  And here, just for giggles and grins, is a head-inflating nominees page with “winner” loudly stamped under my image.  By the way, click on my image to visit my IMA profile, where you can both listen to the entire winning song “Bi Bim Bop”, and read my Q&A interview on the same page while you listen.

 

ISIM 7-1-13 guest artistsUPCOMING SHOW: 7/1/13 @ ROULETTE: ISIM IMPROVISING ENSEMBLES
8-10pm at Roulette: 509 Atlantic Ave Brooklyn, NY 11217.  I finally got more info about this event from the ISIM. This culminating concert of the ISIM’s annual gathering will feature dozens of us participants improvising — together. We’ll be split into several improvising ensembles led alternately by notable special guests, including Korean instrumentalists Gamin and Shin Hyun-Sik.

 

RECENT SHOW FOLLOW-UPS

SB @ SSGP 5-26-13 45/25/13 STREET BEAT AT SUNNYSIDE GARDENS PARK
Street Beat entertained the crowds at this Memorial Day Fair, strolling around New Orleans-style as well as putting on a stationary show. Their board gave us a glowing review on their recent newsletter.

 

 

6-1-13 concert poster 16/1/13 NY KOREAN AMERICAN CHORALE @ LEFRAK HALL
My wife, Choi, and I appeared together on stage for the first time since our previous performances in the Philippines and Korea in 2011. We were joined by our friend and stellar guitarist-composer Ryan Pate (whose debut album should be released later this year). It was very recharging as an artist to play in a beautiful hall in front of a large, enthusiastic audience. I was honored to appear as a special guest with the NYKAC, performing Korean songs arranged for this Jazz setting of guitar, trombone, and cello.

 

 

6/9/13 BJORKESTRA @ HIGHLINE BALLROOM
I joined Travis Sullivan’s Bjorkestra for the first time, as a sideman for this gig. He has arranged the music of Icelandic pop icon Bjork for Jazz big band, and enlisted a group of top NYC Jazz musicians to play it. Bands across Europe and in Asia have brought him over to lead their own bands in concerts of this music, too. The band includes an electronics artist whose effects included floor-shaking bass waves that pumped through the Highline’s sound system. Not your typical big band experience!

MORE RECENT HAPPENINGS
My artist profile on Reverbnation.com briefly broke into the top 100 national acts for World Music, and also ranked at #5 for NYC (linked blog post was written before while it was still ranked #6).

Thank you all for your continued support. Please check in this month to see any updates I hope to post from Korea!

Jeff Fairbanks
Composer, Performer, Bandleader

Vote, View, Visit 3 Shows: Spring ’13 Newsletter

View from Vin Scialla’s drumset during Street Beat’s March show at the Broolyn Bowl.  Photo: Vin Scialla.
View from Vin Scialla’s drumset during Street Beat’s March show at the Broolyn Bowl. Photo: Vin Scialla.

Hello friends,

I have tons of news bits and some new video to share since my last newsletter in January.  Also I’m preparing for an intense workshop in Korea just weeks away. First, though, I need to ask for your vote. Don’t worry, I’m not running for office. But I have been nominated for an Independent Music Award. See below:

IMA logo bigINDEPENDENT MUSIC AWARD (IMA) NOMINATION
My composition Bi Bim Bop, as recorded by Project Hansori, has been picked for the Jazz Song category. Along with an industry panel-determined winner, fans will also choose a Vox Pop (voice of the people) winner. So we need your vote! …Now, I’ve heard feedback from some folks who have had trouble voting. So I made it a real simple two steps here: First, go here. Follow instructions to register. Then go here. Scroll down to find me, and click on the stars to vote (5 is highest, 1 is lowest). Voting closes July 19th. Thanks in advance for your show of support!

UPCOMING PERFORMANCES
Saturday May 25 at 12-2pm
Sunnyside Gardens Park in Queens. Free and open to the public. My 5-piece band Street Beat is the live entertainment for this park’s annual Memorial Day Fair, the overall event event that runs from 12-5pm. A great afternoon of family entertainment and food.
More info

Saturday June 1 at 8pm
LeFrak Auditorium at Queens College
Tickets $20. *(I have two free tickets to give away, first come, first served — reply to this email to request them) *.  I’ve been invited as a special guest to appear during a night of Korean music presented by the New York Korean American Chorale. A trio of my wife Choi on cello, Ryan Pate on guitar, and myself on trombone will play Jazz renditions of several Korean folk songs as part of the program. Incidentally, Ryan Pate has just recently finished production of his own debut recording. The coming album, Human/ Alien, should be slated for release in the next few months. I’ve had a sneak peek and highly recommend you get a copy when they become available (I’ll forward the release date when it’s announced).
More info

Monday July 1 at 7pm
8pm at Roulette, Brooklyn. Admission TBA. In a very unique event, I’ll perform in a large ‘improvising ensemble’, as the culmination of an intense weekend conference of the International Society for Improvised Music. See “ISIM CONFERENCE” below for more about the overall event.
Performance details

NGC logoWORKSHOP IN KOREA
I’m getting very excited about attending the upcoming International Gugak Workshop at the National Gugak Center in Seoul, South Korea from June 16-29. Especially so now that things have apparently cooled off for now on the Korean peninsula. The Center invited me to attend along with 14 other composers and ethnomusicologists from around the globe. Detailed more in an earlier blog post, I’ll spend two weeks saturated in Korean traditional music, learning to play various instruments and styles with the guidance of master teachers. This promises to be an incredible experience.
Blog post

isim logoISIM CONFERENCE
June 29-July 1 at York College, followed by the July 1 public performance at Roulette that I mentioned above. These several days of intense activity will probably blur as one memorable experience focused on high-level improvised music-making. And that’s not just because I’ll be jet-lagged from a 17-hour flight.  World-class improvisors, including several on Korean instruments, will be showcased. The theme is “cross-cultural improvisation”, so I’ll either work on piri, trombone, or both.
More info

NEW VIDEOS POSTED
Since my last comparable newsletter in January, I posted videos of my lecture-performance at Flushing Town Hall. This Composers Now! Festival event focused on my work on the Korean piri and taepyeongso, and culminated my time as a Con Edison resident composer at the venue. Those who know me as only a composer and/or trombonist (pretty much everybody) are in for a surprise! See the videos here.

NEW INTERVIEW
Coinciding with the award nomination, IMA also interviewed me for their online artist spotlight. They prodded me on my thoughts over a range of topics I haven’t been asked before, so there’s plenty of new information for all readers.
Read the interview here.

TOP TEN RANKING
For a brief moment in April my profile rose to #9 in Reverbnation.com’s ranks of New York Jazz artists. Of course with the ranks’ volatility (we’re very fluid, as  you can see!) it could have been a stock trading software-style glitch, but just in case, it’s worth mentioning. A few days in the top ten was nice.
http://www.reverbnation.com/jefffairbanks

Creative Capital logoON CREATIVE CAPITAL’S RADAR
The art funding group Creative Capital featured my project concept, Taco Trucks, on their website. They describe the project in “On Our Radar”, a new web portal designed to link curators and presenters with new projects and ideas.  …Any curators out there, don’t be shy! Maybe CC will take it a step further next funding round. More in my blog post.

MORE GOINGS-ON, PAST AND PRESENT
BrassBowl…Street Beat played a big show March 24 at the Brooklyn Bowl in Williamsburg, as well as several shows at Les Enfants Terribles in Chinatown. …I gave a lecture and solo performance at Flushing Town Hall in February, as noted.  …In April I was nearly picked to fill a trombone opening in the Jazz Knights, the full-time Jazz big band at the West Point Military Academy. This followed an intense audition with three other top-notch trombonists from across the country, and a ridiculously thorough vetting process. Getting the job would have been quite life-altering, to say the least, but I’m happy to forge ahead on the exciting path I’m already on. …Check out Tim Wendt, lead trumpeter in Project Hansori, in his brief screen appearance as a background musician on the TV show “Smash” that aired 5/11/13 (“The Transfer”). I don’t know where in the episode he appears, but you can watch it here; I’ll congratulate in my next newsletter anyone who identifies and shares the spot!

Thanks for reading and …please don’t forget to vote!

Thank you,

Jeff Fairbanks
Composer, Performer, Bandleader

Korea-bound in June for International Gugak Workshop

NGC logoI’ve just been invited to attend the 2013 International Gugak Workshop, held at the National Gugak Center in Seoul, South Korea June 17-29.  15 participants, mostly composers and ethnomusicologists, were selected from a larger pool of applicants for this prestigious and exciting opportunity.  For two intense weeks we’ll be trained by masters in all aspects of Korean traditional music (gugak), from history, theory, instrumental technique, etc.  As a composer fascinated by this music and a self-taught piri- and taepyeongso-player, I couldn’t be more thrilled.  Basically I’ll eat, sleep, breathe, sweat, and bleed Korean music until I probably forget what my name is.  This is the exact type of thing I’ve been looking for (not forgetting my name): to dig deeper and broader into these traditions, and to in turn inform my own music-making.

NGC pic 5

By night we’ll have opportunities to attend concerts at the Center, and undoubtedly also venture through the city to see similar offerings (there are many, as appreciation for its own classical music runs high in Korean culture); or enjoy Seoul nightlife (our hotel is in/near the now-famous Gangnam district as it turns out).  I hope to maybe pay a visit to The Palm or other Jazz clubs, and also run into a friend or two …and I’ll have my main axe in case any playing comes up.  But any extracurricular activities won’t be easy as the workshop schedule is demanding.  A weekend performance/workshop/sightseeing trip to Jindo Island is planned.  Best of all is that airfare, room and board are all covered in essence by the Korean government; one that gets its priorities right in supporting initiatives like this, that help proliferate its unique arts and culture throughout the world.
Needless to say I’m excited about this trip.  Of course this comes at an uncertain time on the Korean peninsula, amid all the current rhetoric from the North.  But here’s to hoping (and praying) for a peaceful resolution and the safety of all involved; and that come June, April’s headlines will be a faded memory.

I expect to update here again about the workshop as the dates approach.  I highly doubt I’ll be able to post during it, but if nothing else, I’ll certainly follow up afterwards with as many photos and writings as I can.  JF